Guides

How to color grade Log footage on iPhone and iPad: Apple Log, Apple Log 2, DJI D-Log M, and the LUTs that go with them.

Why Log video looks flat and gray, what the log curve does, why 10-bit matters, when to shoot Log, and how to turn it into a normal image on iPhone.

Grade Osmo Pocket 3 D-Log M on iPhone: transfer the original file, restore with DJI's official LUT, set white balance in Kelvin, export 10-bit.

Apple Log 2 keeps the Apple Log curve but switches to Apple Wide Gamut. Why Apple Log LUTs shift its colors, and how to grade it on iPhone.

Every LUT expects a specific input, Log or Rec.709. Conversion vs. creative LUTs, how to spot a mismatch, and how to apply .cube LUTs on iPhone.

How to set exposure and white balance when shooting Apple Log or D-Log M, and why underexposure hurts. Habits that make Log easy to grade.

LUT on Log footage looks gray or oversaturated in your video editor? Five causes: wrong input, transcoded import, double conversion, HDR, 8-bit.

HDR video looks great on your phone but washed out once shared? How HDR and SDR differ, why the screen brightens, and which one to export.

Save any moment of a graded video as an iPhone Live Photo: a still plus about 3 seconds of video, same grade, HDR option, date and location kept.

Seven things to check in an iPhone app for grading Apple Log or D-Log M: formats, official LUTs, LUT input, adjustment order, 10-bit, HDR, pricing.